I originally wrote this piece in Spring 2004 to memorialize my father, Tony Moreno. At the time, I shared it with family and friends who said it brought back memories of his smile and his stories. I'm posting this here with the hopes of keeping his stories alive and sharing his unique perspective on LA.
It is a clear spring day, the sunshine and a spectacular view of the San Gabriels behind the downtown skyline dazzle me as I drive north on Main Street, on my way home from work. My thoughts wander as I pass grim-faced garment factories, sidewalk paleta vendors and the crowds that line the sidewalks of Skid Row (or Gallery Row, as it has been christened by the neighborhood council).
Taking in these scenes of L.A. urban life, I feel joy and gratitude that I live in such an exciting, beautiful, and even contradictory place where the breathtaking natural features are within view and driving distance of all the colors and classes of people who make this place their home. In my mind’s eye, I see my Dad’s wide grin and sparkling brown eyes, and hear the words he would often say on days like this: “I LOVE Los Angeles.”
I, too, LOVE Los Angeles. I feel a sense of belonging and rootedness that is not often shared by newcomers or even long-time transplants, portrayed in movies or examined by the many academics and others who attempt to describe and dissect this place. My Dad, Tony Moreno, has passed on to me his deep love for this place. This inheritance is priceless and has allowed me to build a rich and meaningful life in a place that is derided for its rootlessness and shallowness.
Though he loved this city, my Dad understood its faults and the injustices endured by many here, including our own family. He introduced me to those too, by deciding that I was old enough at 14, to read and understand the Raymond Chandler novels that he passed along to me, by sharing his stories about growing up in East LA and the Van Nuys barrio, and the milestones of LA history, as he understood and experienced them. Born in 1949 at LA County hospital, my Dad spent his early childhood in Van Nuys with his paternal grandparents, Antonio and Balbina, who had emigrated from Mexico in the early decades of the twentieth century. During his 54 years here, he witnessed many key events in LA history: the development of the San Fernando Valley, the construction of most of the LA Freeway network, the Chicano Movement, the Sylmar earthquake, the 1984 Olympics, to name just a few.
Filtered through my Dad's intellect and love of storytelling, these LA milestones became part of his story. Joyous and generous by nature, he marvelled at the beauty of LA, despite his childhood experiences with segregation and unjust conditions in East LA. As an adult, he would praise the beautiful aspects of life here and proudly and happily share his stories and views with friends and family. He especially loved showing out-of-town visitors the things he felt make Los Angeles great: Venice Beach, the Griffith Observatory, Mulholland Drive on a clear night, the Great Wall mural in the LA River, Chinatown, the hills of City Terrace . As a teenager, I cringed every time my father would tell us (for the umpteenth time) his stories: the chickens that his grandparents raised; his shock when he saw his grandmother kill one of the chickens for dinner; the time he painted the dog green to match the newly painted house; the way the relatives all lived in houses next to one another on Delano Street in Van Nuys or back to back, without fences so that the extended family was able to freely walk from one house to the next. He also spoke fondly about the farm fields and open spaces that still existed in the San Fernando Valley in the early 50s; running away from home as a child to the Sepulveda Dam, and running back home at dusk, driven by the fear of the hobos who--he had been warned-- would catch and roast small children to eat, walking miles (or so it seemed) in the mid-summer Valley heat with his uncles to have “tomato wars” in the newly picked tomato fields.
He had a story for just about every part of town we visited together: Boyle Heights and East LA, where he lived as a teenager, the garment district where he got his first job after high school, City Terrace, Dodger Stadium, Griffith Park, the site of the love-ins and be-ins he would attend with my mother. When I lived in Silver Lake in the early 90’s, he told me about going to parties in Silver Lake in the 60s and encountering openly gay Latinos for the first time.
After my parents split up, my Dad moved to Venice Beach, away from relatives and the places and memories that all his stories recounted. Here, he made new memories with his children, exploring a new part of town and discovering the things that made this place beautiful and distinct: the “free box” where Venice neighbors would put unwanted household items, clothes, books and toys to exchange with one another; the bike paths, the marina, the boarded up carousel on Santa Monica pier, Muscle Beach, the hand ball courts where men of every size, stature, and color gathered for pick-up handball games.
Only later, as an adult and urban planning student would I realize that these experiences with my father and his stories connected me to this place in a way that would bring meaning and structure to my life. As I go through my life without him in it, I often stop to remind myself that he is the source of much of the hope and energy that drives me in my efforts to make LA a more just place. Each time I share one of his stories or my own, or talk about LA history, I am sharing the legacy of joy, beauty and hope that he left me.
Museum in Little Tokyo caught my eye. The press release at the exhibit website says: “Landscaping America: Beyond the Japanese Garden explores those dimensions of Japanese American gardens and gardeners that are not immediately or generally visible. Gardening and gardens involve physical labor, artistry, community relationships,” explains exhibition curator Sojin Kim.
